Welcome to the website for
Katie is a traditional musician, researcher, writer and event organiser from Suffolk, England.
Welcome to the website for
Katie is a traditional musician, researcher, writer and event organiser from Suffolk, England.
I play traditional music on the melodeon and harmonica. My musical education took place largely in the pubs of Suffolk as a young adult, where I learned much from an older generation of musicians. Since then I have spent most of my life either playing traditional music or passing it on to others in one way or another.
Until October 2017 I was Artistic Director of the East Anglian Traditional Music Trust.
Seventeen years of work is summed up in a presentation I did for the EFDSS Folk Educators’ Group in June 2017, which you can see here (but there are only a few words of explanation as it was designed as an aide-memoire for me to talk over!): FEG 2017
I am now a freelance performer, tutor, researcher and animateur.
I started playing the melodeon whilst at university, teaching myself to play through listening to others. This was at a time when English traditional music was experiencing a renaissance and there was no shortage of exciting recordings and events to inspire me.
After moving to Suffolk in 1978, I spent many hours in pubs playing alongside traditional musicians and in 2000, with the founding of the East Anglian Traditional Music Trust, the music of my adopted locality became a huge focus for research and performance.
I play and learn by ear. I love the fact that learning by ear opens up music-making to people from all walks of life and I have taught many people to play instruments and express themselves musically in this way.
EFDSS Gold Badge Award
In 2010, my husband John Howson and I were awarded the prestigious Gold Badge by the English Folk Dance and Song Society. You can read the EFDSS Gold Badge Citation here.
Page updated on 20th April 2021
Here’s some occasional short news items.
My talk, “100 years of singing in a fishing community: King’s Lynn 1870-1970” for the Traditional Song Forum’s “Folk Voice” conference on 18th April is now available on the TSF YouTube channel. I’ve set the link for my talk, which lasts 20 minutes, but you can easily go back and see the previous items – the one immediately before mine is a fascinating story told by Bruce Lindsay about Norfolk singer Sam Larner winning singing competitions in the Shetlands! Here is the full programme with details of the other interesting presentations.
To tidy up all this work on King’s Lynn, I have now updated my webpages , and you can read all about Vaughan Williams’ 1905 singers and find out what songs they sang on the King’s Lynn Singers in 1905 page on this website.
Further items about King’s Lynn are now on my other website Unsung Histories. Look out for: “Henry Flanders Songbook”, “The Herring Singers”, “The fishermen that got away”, “The other Mrs Benefer” and “The self-sufficient singers of the Tilden Smith”. Now you can see what I meant in my previous news post about the subjects multiplying!
I have been trying to catch up with writing up some of my research during this winter lockdown. However, the subjects seem to keep multiplying!
A long-term project has been investigating the areas visited by the folk-song collector Ralph Vaughan Williams in the early 1900s, and I have lately been thinking about some different aspects of two of these areas – Southwold and King’s Lynn, for talks for the Traditional Song Forum.
The Southwold talk included some of the songs collected by Vaughan Williams and Butterworth in 1910, but also took a broader look at singing since that period and the contributions made by other visiting musicians and artists such as Joseph Southall, who painted this wonderful image, from which I took my title – ‘Up from the Sea’.
The talk is available on the TSF Youtube channel. I’ve scheduled the link for my own talk, but there were four in total on this session, the other three excellent talks being mostly about sea shanties.
Meanwhile, I have a busy couple of weeks ahead finalising lots of new material for my talk about the fishing community in the North End of King’s Lynn for the upcoming TSF conference on ‘The Folk Voice’. This again takes its starting point from Vaughan Williams’ collecting there in 1905, but thanks to a recent discovery, I now know more about singing in the nineteenth century. Using this new find and also using some mid-twentieth century recordings, means that we can look at singing in a small community over the course of a hundred years.
The conference is spread out over three Sunday afternoons and my talk is on Sunday 18th April. You can register for it on Zoom at the TSF website or you can watch it on their Youtube channel – either live, or later on. The links for that are on their website too, and I’ll post them here later.
In the meantime, I’ve just added a article about singer Lol Benefer to a new venture of mine a separate website called Unsung Histories. This is very much in development, with only a few posts there at the moment (“bear with!”), but this is where I intend adding all those miscellaneous bits of research I mentioned at the beginning of this post.
Finally, both these projects have benefited from two wonderful local museums which each aim to provide research facilities as well as displays. Please consider supporting them in these difficult economic times:
I’m thrilled that dancer Simon Harmer used some of my research into the tune Miss Gayton’s Hornpipe in his community dance project “Step Your Way”, a superb exploration of traditional hornpipe steps and street dance traditions. A short video of this truly inspiring project is here.
I have finally succumbed to the Zoom revolution!
From the New Year I am offering online one-to-one tuition on the D/G melodeon or one-row melodeon, tailored to the individual’s needs.
Any level from beginner upwards welcome – see my updated tuition page for details and send me an email if you’re interested.
They say no news is good news, but 2020 doesn’t really feel like that.
Like many others, in this extended period of isolation, I’ve had time to go through some old photos: here’s an old one of socially-distanced playing on Sherkin Island, Co. Cork in 1995. We’d hoped to revisit this summer, but still looking forward to getting back there one day.
Good news is that two major workshop bookings that should have taken place in 2020 are confirmed for 2021 (pending you-know-what, of course): Melodeons in Wensleydale on 23rd-25th April [update: cancelled again!] and Witney Supersqueeze on 19th-21st November. Looking for the silver linings: over the summer I’ve been able to meet up with a handful of musical friends, and we’ve been enjoying the opportunity to explore the dustier corners of our repertoires, something you can’t often do in bigger gatherings.
The third Traditional Tunes and Popular Airs Conference is being hosted virtually by the EFDSS over the weekend of 10th and 11th October and has some interesting papers about various aspects of traditional music which are available to read (for ticket-holders) from 1st October.
One way or another, July and August are usually full of festivals, and so they have been this year, but virtually of course. As well as my own band bookings, running the Veteran CD stall and attending as a ‘punter,’ this summer’s festival activities should also have included two appearances by Irish legends Jackie Daly and Matt Cranitch, for whom I had recently become UK agent. Hopefully these appearances will be rescheduled for 2021 when we all trust that more live music will be possible. In the meantime, if you would like to buy any CDs (mine, or Jackie & Matt’s, or any number of other wonderful traditional singers and musicians!) do head over to the Veteran CD website which has a new browsing section designed to replicate a real festival stall. The photo below is us at the Dartmoor Folk Festival, and you can see how long our involvement is there from the ticket here! Click on the image below to browse the CD stall – orders within the UK are post free until the end of September.
As with most of us now, music revolves around recordings and virtual performances at the moment. As well as playing for a couple of Zoom “clubs”, I am doing a short presentation for the Traditional Song Forum ( a research group of which I have been a member for many years).
My contribution is called “Will the real Paddy O’Rafferty please stand up!” and is about my investigations into the music and songs on a barrel-organ taken by Sir William Edward Parry on his polar expeditions in 1819-1825.
This will go out live on Sunday 14th June at 4pm. Here’s a link to find out more about the Traditional Song Forum and how to join their Zoom meetings.
Like everyone else involved in music, life has just got unexpectedly un-busy in terms of gigs, sessions and festivals. A time to get on further with research projects instead.
I have taken the opportunity to upload the photographic exhibition I created for last year’s ‘I Looked East and I Looked West’ festival celebrating the life and music of Irish fiddler Julia Clifford: please visit The Julia Clifford Project section of this website. If you have any comments, information or further photos, please do get in touch.
Coincidentally, at the same time, the RTÉ radio programme ‘The Rolling Wave’ is broadcasting two programmes dedicated to Julia Clifford. The first of the two programmes, about ‘The Star Above the Garter’ album is archived here and the second, focussing on Julia herself, is scheduled to be broadcast at 9pm on Sunday 3rd May and will be available on ‘The Rolling Wave’ archive after that. The second programme includes an interview with me, carried out at the 2019 Willie Clancy Summer School – here’s the link to that programme.
The writing and research continue. I’ve been following the adventures of a well-known tune, Paddy Carey which will eventually be posted here, and I’ve revised two other tune histories I wrote some years ago – about The Perfect Cure and Starry Night for a Ramble – these two are now available on my new Tune Histories page. I’ve also added some brief descriptions of my current research projects – you see, they are real, not just something I mention on here every now and again! Have a browse through the Projects / Research drop down menu at the top of any page to read about Miss Gayton’s Hornpipe, barrel organs on Polar explorations and stepdancing competitions in Somerset.
I’ve also been digitising some superb quality photos we were given. Some of these and others from our personal archive have been making there way into the public domain through the new Facebook page for Veteran Records – I have recently written a piece about fiddle-player Lucy Farr for the page. Here’s one of my personal favourites from the collection, of The Rakes (minus Lucy Farr on this occasion) – Paul Gross, Michael Plunkett and Reg Hall with Derek Schofield, far left, taken at the National Folk Festival at Sutton Bonington in the 1990s.
I’ve left some 2019 announcements here, as there’s not much in 2020 of course! Older news is archived here: News Archive.
You may have read earlier posts about my involvement in this superb film about the life of composer and folksong collector George Butterworth. It has been shown at a number of public screenings and it’s now available to buy on DVD or Blu-Ray. All My Life’s Buried Here includes an informative booklet with a series of specially-commissioned essays as well as extra filmic material.
After our wonderful “I Looked East and I Looked West” event in April 2019, I gaily said to Matt Cranitch, “If I can do anything to bring you over to the UK more often, just let me know …” So, I am pleased to tell you, that as of 1st November I am acting as UK agent for Jackie Daly & Matt Cranitch! I look forward to bringing them to more British audiences.
More details here: Jackie Daly & Matt Cranitch
I am very sad to say that my co-author of this book, Pat Pickles, died this month. Pat had suffered from dementia for the past couple of years, but will be fondly remembered by all whose paths she crossed over the previous decades, particularly through her many interests in folklore. The timing was particularly poignant, as I had just heard that our book had been short-listed by The Folklore Society for the Katharine Briggs Award 2019. You can buy the book here: East Anglian Traditional Music Trust’s shop.
There’s some events I wouldn’t miss each year, even when I’m not officially booked at them, here’s hoping my two favourites are able to go ahead “in the flesh” in 2021:
Dartmoor Folk Festival, South Zeal, Devon. Went to the first one in 1978 and although I’ve missed a few, it’s a fixture in the diary, especially for the stepdancing and the Orchard family’s sessions.
Willie Clancy Summer School, Miltown Malbay, Co. Clare. Been going to Miltown for donkey’s years, but only to the ‘Willie Week’ in more recent years, when I have been honoured to take part in the harmonica recital on a couple of occasions.
Click on the thumbnail to see the whole image.
You can email me at katie.howsonatgmail.com (just change the word at for the symbol @).